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Chicago Steelbook

4.8 out of 5 stars 10,378
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Details

Genre
Crime, Comedy, Musical
Format
Blu-ray
Contributor
Catherine Zeta-Jones, Richard Gere, Renée Zellweger
Language
English
Runtime
1 hour and 53 minutes
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Frequently bought together

Chicago Steelbook
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Moulin Rouge! [Blu-ray]
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Cabaret (1972) (BD) [Blu-ray]

Frequently bought together

Chicago Steelbook
$11.99
Moulin Rouge! [Blu-ray]
$8.99
Cabaret (1972) (BD) [Blu-ray]
$19.99
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Description

Celebrate 20 years of CHICAGO—the dazzling Oscar winner for Best Picture cheered by audiences and critics alike. At a time when crimes of passion result in celebrity headlines, nightclub sensation Velma Kelly (Zeta-Jones) and spotlight seeking Roxie Hart (Zellweger) both find themselves sharing space on Chicago's famed Murderess Row. They also share Billy Flynn (Gere), the town's slickest lawyer with a talent for turning notorious defendants into local legends. But in Chicago, there's only room for one legend.

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  • Best Sellers Rank:
    #19,331 in Movies & TV (See Top 100 in Movies & TV)
    #1,354 in Comedy (Movies & TV)
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4.8 out of 5 stars4.8 out of 5
10,378 global ratings

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Top reviews from the United States

M. K. Hammour
5.0 out of 5 starsVerified Purchase
Great Play
Reviewed in the United States on June 9, 2024
Great movie with great actors and actresses it's recommended.
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Fred Van Horn
5.0 out of 5 starsVerified Purchase
Movie
Reviewed in the United States on May 28, 2024
A musical, Yep she did it, but you'll never know what the jury's verdict was unless you watch this movie
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Not light weight
5.0 out of 5 starsVerified Purchase
What’s there to say but it’s All That Jazz
Reviewed in the United States on May 20, 2024
Love this movie and will always watch it again and again. If you get hot for mamma she’ll get hot for you!
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Amazon Customer
5.0 out of 5 starsVerified Purchase
Chicago is a must see
Reviewed in the United States on April 14, 2024
Great 😃 timeless movie,
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P Brooks
5.0 out of 5 starsVerified Purchase
Almost a great film
Reviewed in the United States on January 29, 2024
I found the dancing and dance numbers to be lackluster and dull compared to Bob Fosse's work, and wish the world could have gotten the version he was planning to make. However everything else about this film is great. Acting, music, sets, costumes, etc.
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Richard A. Tucker
4.0 out of 5 starsVerified Purchase
It's true that some just don't get it.
Reviewed in the United States on July 23, 2003
The last two reviews of this film were as subjective as reviews could possibly be but what they lack is the ability to step back and actually look at what they've reviewed. This film is about immoral people but that doesn't change it's punch and it's honesty as both a... See more
The last two reviews of this film were as subjective as reviews could possibly be but what they lack is the ability to step back and actually look at what they've reviewed. This film is about immoral people but that doesn't change it's punch and it's honesty as both a musical and morality play skewed toward the cynical way we Americans view fame. As musicals go this is not Singing in the Rain or South Pacific, but it does have heart, guts and good musical talent just as the latter musicals had even if not in the same context. I find myself rooting for the little murderesses and not because I want them to get away with their crimes but to admire their spunk, guile and tenacity. On top of that who's worse; the ladies using the media or the public who allows, and gullibly applauds this manipulation? This film makes no effort to forgive the gals of their crimes, nor does the story try to make them out to be misguided little girls who deserve a shot at redemption. The sleazy lawyer who works to get them off the hook is also no nobleman. He's a vile but witty cad who exploits every trick in the book (as well as creating a few new ones) to defend the ladies. Couple that with the nearly flawless portrayals of the characters and their near perfect dance routines and I have to highly recommend this genuine musical. Renee' Zellweger is a treat as the seemingly naive minx aspiring to stardom and stupid enough to put herself within reach of the state's gallows. Catherine Zeta Jones as the very jaded, chain smoking Velma is wonderfully nasty but also no slouch when it comes to getting her way (learning a little humility along the way). At the heart of these two characters are women who've come to believe that fame and wealth are the only goals worth attaining. Their lawyer feels exactly the sme way in his shameless pursuit of difficult but very high profile, and very profitable cases. Richard Gere is a strange selection for the portrayal of this fellow. However, his skills were considerably better than I'd hoped and I found him not only convincing but downright engrossing as he wore this cretin's skin.The dance numbers clearly owe a nod to the master Bob Fosse who first adapted this story for the stage years ago.Fosse's urban cynicism oozes from these songs and dance numbers. Jones and Zellwegger are very good in their numbers. They're sincere efforts but not flawless. Despite that I found those efforts to be better than routine. They truly put themselves into their roles and played their characters with gusto.Character flaws fully exposed and elaborated on I still admired the spirit of these scoundrels if not the scoundrels themselves, well, maybe I have to confess to being a little taken with the bold lot of them. Queen Latifa (sp?) was another treat fully in her character and sumptuous in her performance. She conveyed such ease with her character it was like watching a person in a long running series, fully confortable with her role after years of playing it.Now, is this a great film musical? No, but it certainly is enjoyable and a far cry from what's been passing for musicals in recent years. Catchy tunes, good dancing and an engaging story and an inherent wit makes this much more than watchable. On top of that it has a surprising cast in the lead players as well as support characters. John C. Reilly's character as the poor slob married to Zellwegger's treacherous gal is another treat. He's the guy nobody sees, almost literally. He takes this one poor sap and plays him as the only guy with a conscience (though manipulated as it is) in this miasma of schemers and scammers. He's sincere, hopeful, but ultimately doomed to be background clutter. He's used when he's needed, ignored when he's not, and this fact becomes painfully evident to him as the film progresses. His musical number is subtle but if you really watch and listen you'll see that he's really putting himself into the position fully realized in the song. His number gave me chills upon repeated viewings. He's a decent guy but also a loser in love with someone who most likely will never know love.Rent this. See if it shakes your tree.
9 people found this helpful
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Marion
5.0 out of 5 starsVerified Purchase
Incredible Acheivement to Make a Musical/Drama
Reviewed in the United States on November 27, 2023
I liked the acting. I generally don't love musicals because the songs are long and stop down the story. In this project, the music has energy and, except for "Press Conference Rag" which looked like it took a month to rehearse and 2 weeks to shoot, the numbers are short and... See more
I liked the acting. I generally don't love musicals because the songs are long and stop down the story. In this project, the music has energy and, except for "Press Conference Rag" which looked like it took a month to rehearse and 2 weeks to shoot, the numbers are short and edited brilliantly. The film is long but keeps moving because of the INCREDIBLE editing (Oscar for Martin Walsh). The costume design was insane (Oscar to Colleen Atwood). Everybody looked amazing and was able to move the right way with their costume.
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MysterEO
5.0 out of 5 starsVerified Purchase
One of the BEST Musicals ever... and I know them all !
Reviewed in the United States on January 21, 2004
I am writing this review for ME. The problem as I read all of these reader reviews is really to know WHO SHOULD I BELIEVE ? Some reviews say it is terrible! Some are lukewarm... Some say it is great... I think there are people that hate musicals, and then they... See more
I am writing this review for ME. The problem as I read all of these reader reviews is really to know WHO SHOULD I BELIEVE ? Some reviews say it is terrible! Some are lukewarm... Some say it is great...

I think there are people that hate musicals, and then they write a review about a great musical and slash it to pieces. I know people who hate Beethoven and hate Mozart, and I have to dismiss as irrelevant a review about the 9th Symphony written by somebody who hates classical music.

So, writing about musicals, I can only believe somebody who loves musicals... and of course, that somebody is ME! I love musicals. I am my best musical critic, for me, because I really KNOW musicals! I know which musicals I didn't like so much (Miss Saigon, Candide...) and which musicals I loved (Phantom of the Opera, My Fair Lady, Beauty and the Beast, King and I, Man of La Mancha, Fiddler on the Roof... Joseph...). I have seen everything great, ten times or more, including The King and I, Man of La Mancha, Cats, Fiddler on the Roof, Evita, etc.... even Show Boat, The Mikado, Pirates of Penzance, Mary Poppins, etc....

I mean... I REALLY KNOW and LOVE MUSICALS! That having been said...

After having seen Chicago on a big screen 3 or 4 times, maybe more... the verdict is: Chicago is Fabulous! It is right up there with the best of them. The songs are great, catchy, really excellent... The dancing is great, the singing is great, the coreography is beautiful... The actors are superb... Queen Latiffa, Richard Gere, Catherine Zeta Jones and Renee Zellweger are all so PERFECT for their parts... Catherine Zeta Jones won an Oscar for her role, and Richard Gere deserved to win an Oscar for his role (but he wins a long applause, from me.) He actually SINGS his own songs. He is PERFECT for the part.

And Catherine Zeta Jones... Wow! SHE IS WONDERFUL! Not only is she BEAUTIFUL, but she is TALENTED! She REALLY DANCES... not just dances, she transcends into Jazz! I was hooked on the music of Chicago for weeks...

I love the tunes, the coreography... I love Chicago... it is without a doubt in the same league as the best musicals ever... by that I mean it is in the same league as the best of Rodgers and Hammerstein, Gilbert and Sullivan, Andrew Lloyd Weber, etc.

And now I write this for others: Buy this DVD! This is really a bargain. You only pay for it once, and you will have it and be able to see it many times and enjoy it for the rest of your life.

P.S.: I bought the DVD... I have watched it many times, and each time I like it more... I know I will enjoy it many times more.
6 people found this helpful
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Top reviews from other countries

Annette Boudreau
5.0 out of 5 starsVerified Purchase
Film sur DVD - Chicago
Reviewed in Canada on February 13, 2022
J'ai reçu mon film avant la date prévue et je l'ai regardé dès le lendemain. J'en suis ravie! Merci!
J'ai reçu mon film avant la date prévue et je l'ai regardé dès le lendemain. J'en suis ravie! Merci!
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W. A. D.
5.0 out of 5 starsVerified Purchase
Fabulous!
Reviewed in the United Kingdom on July 6, 2024
Great show with a fantastic cast. The Blu Ray has excellent sound and satisfactory, if not spectacular, detail. I believe there has been a later transfer but for the price this is okay.
Great show with a fantastic cast. The Blu Ray has excellent sound and satisfactory, if not spectacular, detail. I believe there has been a later transfer but for the price this is okay.
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Daniele Bacci
5.0 out of 5 starsVerified Purchase
satira senza tempo
Reviewed in Italy on February 14, 2023
Poche storie hanno saputo cogliere appieno la società americana degli anni '20 appieno, e questa è una di quelle. Gli oscar vinti sono più che meritati, comparto tecnico meraviglioso e performance in parte. Può risultare ostico per i non amanti del genere musical, ma se vi...See more
Poche storie hanno saputo cogliere appieno la società americana degli anni '20 appieno, e questa è una di quelle. Gli oscar vinti sono più che meritati, comparto tecnico meraviglioso e performance in parte. Può risultare ostico per i non amanti del genere musical, ma se vi piacciono le crime story ed il jazz (misto alle coreografie sensuali di Bob Fosse) questo è il musical che fa per voi!
Poche storie hanno saputo cogliere appieno la società americana degli anni '20 appieno, e questa è una di quelle. Gli oscar vinti sono più che meritati, comparto tecnico meraviglioso e performance in parte. Può risultare ostico per i non amanti del genere musical, ma se vi piacciono le crime story ed il jazz (misto alle coreografie sensuali di Bob Fosse) questo è il musical che fa per voi!
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Francisco
5.0 out of 5 starsVerified Purchase
La mejor edición de Chicago en blu-ray totalmente compatible con los reproductores de España.
Reviewed in Spain on September 23, 2014
Atención: Este comentario se refiere al bluray Chicago. Diamond Edition, con ASIN: B00GTO6WXU. No comprendo cómo puede hacerse un comentario avisando de algo que no se ha comprobado. Es probable que la advertencia de que el bluray era ZONA A haya hecho que bastantes...See more
Atención: Este comentario se refiere al bluray Chicago. Diamond Edition, con ASIN: B00GTO6WXU. No comprendo cómo puede hacerse un comentario avisando de algo que no se ha comprobado. Es probable que la advertencia de que el bluray era ZONA A haya hecho que bastantes posibles compradores no lo hayan comprado y no tengan la mejor edición de Chicago hasta la fecha. Dejémoslo claro, el bluray se puede ver en cualquier reproductor, PERO el DVD que lo acompaña necesita de un reproductor DVD multizona o deszonado. Una vez aclarado este asunto, pasemos a las características. La calidad de imagen del blu-ray es sobresaliente, y el sonido en inglés viene en inglés 7.1 y 5.1, mientras que en español latino es 5.1. A mí me suena muy bien y no distingo entre 5 y 7. En cualquier caso, impresiona lo bien que se oye todo. Los subtítulos se limitan al inglés, no los trae en español. Respecto a los extras (todos SIN subtitular), tenemos lo siguiente: - Chicago in the Spotlight: A Retrospective with the Cast and Crew. Más de dos horas de entrevistas y comentarios sobre la adaptación a la pantalla del musical. Está rodado en alta definición y se nota en la claridad de la imagen - Extended Musical Performances. Casi una hora con los ensayos y las versiones extendidas de algunos números musicales. Un poco pesado de ver si no se es muy muy fan de la película. - Comentarios del director y del guionista. La película del DVD cuenta con idiomas y subtítulos en inglés y latino, y un extra también sin subtitular. Hay que decir que además de necesitar un reproductor adaptado, la calidad de la imagen es muy inferior al del bluray, de forma que no merece la pena a no ser por el contenido extra. Resumiendo, aquí tenemos un blu-ray muy recomendable de Chicago, a un precio muy interesante que no defraudará a los amantes del musical. A fecha de hoy, Amazon España anuncia que sólo queda uno. Esperemos que pronto haya más disponibles.
Atención: Este comentario se refiere al bluray Chicago. Diamond Edition, con ASIN: B00GTO6WXU.

No comprendo cómo puede hacerse un comentario avisando de algo que no se ha comprobado. Es probable que la advertencia de que el bluray era ZONA A haya hecho que bastantes posibles compradores no lo hayan comprado y no tengan la mejor edición de Chicago hasta la fecha. Dejémoslo claro, el bluray se puede ver en cualquier reproductor, PERO el DVD que lo acompaña necesita de un reproductor DVD multizona o deszonado. Una vez aclarado este asunto, pasemos a las características.

La calidad de imagen del blu-ray es sobresaliente, y el sonido en inglés viene en inglés 7.1 y 5.1, mientras que en español latino es 5.1. A mí me suena muy bien y no distingo entre 5 y 7. En cualquier caso, impresiona lo bien que se oye todo. Los subtítulos se limitan al inglés, no los trae en español. Respecto a los extras (todos SIN subtitular), tenemos lo siguiente:
- Chicago in the Spotlight: A Retrospective with the Cast and Crew. Más de dos horas de entrevistas y comentarios sobre la adaptación a la pantalla del musical. Está rodado en alta definición y se nota en la claridad de la imagen
- Extended Musical Performances. Casi una hora con los ensayos y las versiones extendidas de algunos números musicales. Un poco pesado de ver si no se es muy muy fan de la película.
- Comentarios del director y del guionista.

La película del DVD cuenta con idiomas y subtítulos en inglés y latino, y un extra también sin subtitular. Hay que decir que además de necesitar un reproductor adaptado, la calidad de la imagen es muy inferior al del bluray, de forma que no merece la pena a no ser por el contenido extra.

Resumiendo, aquí tenemos un blu-ray muy recomendable de Chicago, a un precio muy interesante que no defraudará a los amantes del musical. A fecha de hoy, Amazon España anuncia que sólo queda uno. Esperemos que pronto haya más disponibles.
12 people found this helpful
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Arsinoélsa
5.0 out of 5 starsVerified Purchase
Réinventer la comédie musicale : "Razzle Dazzle 'em"!
Reviewed in France on December 16, 2011
A mon avis, l'une des meilleures comédies musicales jamais réalisée! Les séquences chantées et dansées sont rêvées par Roxie et représentent l'autre versant d'une réalité enluminée par les artifices du spectacle. La mise en œuvre virtuose transforme tous les numéros chanté...See more
A mon avis, l'une des meilleures comédies musicales jamais réalisée! Les séquences chantées et dansées sont rêvées par Roxie et représentent l'autre versant d'une réalité enluminée par les artifices du spectacle. La mise en œuvre virtuose transforme tous les numéros chanté et dansé de la vie réelle en numéros de cabaret : les prisonnières donnent un numéro de tango époustouflant, la conférence de presse devient un numéro de ventriloque et de marionnettiste tandis qu'un procès se transforme en piste de cirque. Rob Marshall joue à glisser du réel à l'illusion, dans la même séquence, les deux versions d'une même situation se superposant, s'enchaînant, se faisant écho. A chaque fois, le réalisateur a truffé le tableau de symboles liant la réalité au numéro de cabaret ; je connais le film pratiquement par cœur et il m'arrive encore de découvrir de petits détails. La direction artistique est une réussite : chorégraphies et chansons endiablées (achetez la BO Chicago ça vaut le coup) comme on les aime. Le film réjouit également par sa peinture du Chicago des années 20 : une presse paresseuse et sensationnaliste, une justice corrompue, les débuts du règne de la médiatisation, mais également le défoulement de l'après-guerre, l'alcool qui coule à flot dans les cabarets alors que la Prohibition vient d'être mise en place, le jazz... C'est le règne de l'illusion. Comme le résume Billy Flinn, avocat grand manipulateur des médias : "It's all a circus, kid. A three ring circus. These trials- the wholeworld- all show business.". Les acteurs sont excellents, en tête Catherine Zeta-Jones qui rappelle évidemment Liza Minnelli dans Cabaret et John C.Reilly, très émouvant dans son numéro de clown triste. Rennée Zellweger n'a pas le talent de Catherine Zeta-Jones mais joue parfaitement la godiche arriviste. Même Richard Gere que je trouve d'habitude tellement palot allie le charme et le cynisme qui siéent à l'époque. Les personnages sont tous hypocrites, arrivistes, menteurs ou idiots et c'est tout à fait jouissif ! Chicago est joyeusement amorale : le cynisme est, ici, l'arme favorite de chacun(e) et mène droit non à la punition, mais au plus éclatant des happy ends.. Comme Cabaret, Chicago est tiré d'une comédie musicale de Broadway. Le film a remporté 6 oscars en 2002, dont celui du meilleur film, qui sont amplement mérités. Je recommande de le regarder en VOST pour ne pas perdre la saveur de l'américain des années 20.
A mon avis, l'une des meilleures comédies musicales jamais réalisée! Les séquences chantées et dansées sont rêvées par Roxie et représentent l'autre versant d'une réalité enluminée par les artifices du spectacle. La mise en œuvre virtuose transforme tous les numéros chanté et dansé de la vie réelle en numéros de cabaret : les prisonnières donnent un numéro de tango époustouflant, la conférence de presse devient un numéro de ventriloque et de marionnettiste tandis qu'un procès se transforme en piste de cirque. Rob Marshall joue à glisser du réel à l'illusion, dans la même séquence, les deux versions d'une même situation se superposant, s'enchaînant, se faisant écho. A chaque fois, le réalisateur a truffé le tableau de symboles liant la réalité au numéro de cabaret ; je connais le film pratiquement par cœur et il m'arrive encore de découvrir de petits détails.

La direction artistique est une réussite : chorégraphies et chansons endiablées (achetez la BO Chicago ça vaut le coup) comme on les aime. Le film réjouit également par sa peinture du Chicago des années 20 : une presse paresseuse et sensationnaliste, une justice corrompue, les débuts du règne de la médiatisation, mais également le défoulement de l'après-guerre, l'alcool qui coule à flot dans les cabarets alors que la Prohibition vient d'être mise en place, le jazz... C'est le règne de l'illusion. Comme le résume Billy Flinn, avocat grand manipulateur des médias : "It's all a circus, kid. A three ring circus. These trials- the wholeworld- all show business.".

Les acteurs sont excellents, en tête Catherine Zeta-Jones qui rappelle évidemment Liza Minnelli dans Cabaret et John C.Reilly, très émouvant dans son numéro de clown triste. Rennée Zellweger n'a pas le talent de Catherine Zeta-Jones mais joue parfaitement la godiche arriviste. Même Richard Gere que je trouve d'habitude tellement palot allie le charme et le cynisme qui siéent à l'époque. Les personnages sont tous hypocrites, arrivistes, menteurs ou idiots et c'est tout à fait jouissif ! Chicago est joyeusement amorale : le cynisme est, ici, l'arme favorite de chacun(e) et mène droit non à la punition, mais au plus éclatant des happy ends..

Comme Cabaret , Chicago est tiré d'une comédie musicale de Broadway. Le film a remporté 6 oscars en 2002, dont celui du meilleur film, qui sont amplement mérités. Je recommande de le regarder en VOST pour ne pas perdre la saveur de l'américain des années 20.
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